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Racism, either subtle or overt, impacted everything from playlists to hiring. Nevertheless, he and other observers also say this history was being buried even as it was made.
PINNACLE STUDIO 23 WHY CAN I NOT HEAR THE AUDIO TV
We don't necessarily have the video archival footage that TV does." Credit: Getty Images/Michael Ochs Archivesīyrd adds that "the biggest issue Black radio faces is its invisible history. Many of the DJs died years ago, including Crocker who would turn WBLS into a radio powerhouse before his death in 2000.īefore he turned WBLS into a radio powerhouse, Frankie "The Love Man" Crocker was a mainstay at WWRL. Together they were an important part of African American history, too, especially music history, but are now largely forgotten. In time, this lineup came to be known as the "Temptations of Radio" - personalities so dominant and beloved in New York that they were influencers and lifestyle brands before anyone even knew what such things were. (She would meet her future husband, George Flowers, a New York radio news legend in his own right, at WWRL too.) WWRL even had a distinguished news staff which included New York radio and TV pioneer Jane Tillman Irving. En route to a legendary career at WBLS, Hal Jackson made a brief stopover at RL and so did Chuck Leonard, WABC's first Black DJ.Įddie O'Jay arrived in the early '60s after a run in Cleveland where he managed a local band - soon to become an international phenom - that would name itself after him in tribute. The "Soul Server" Hank Spann was here, along with "Jerry B." Bledsoe, and Rocky "Whirlin' Rocky G'' Groce. Credit: WWRL Archives/unknownīesides Byrd, Troy and Jay, WWRL's deejay lineup included Enoch Gregory, aka the Dixie Drifter, and Frankie "The Love Man" Crocker. WWRL DJs Jeffy Troy (l) and Bobby Jay (r) pose with singer Sarah Dash of Labelle. And until WINS switched to all-news in 1965, Alan Freed and Murray "the K'' Kaufman were the big names at 1010. At WABC, there was Dan Ingram, Ron Lundy, Scott Muni and Bruce "Cousin Brucie'' Morrow. In New York, WMCA had its "Good Guys," like Harry Harrison, Gary Stevens and Jack Spector. But from the '50s through to the early '70s, AM's influence rivaled TV's, while the influence in music was outsized along with the DJ's who played it. Superseded by FM, then satellite, AM long ago embraced talk - largely conservative talk - as a way to survive. It's reflexive now to dismiss AM radio as a media dinosaur, except that's not entirely true. My approach was more Top-40 radio, playing 20 minutes of music nonstop, but the nice thing about us is we were all different - all good but different." "You have to do what you have to do," he says.īut of those many years at RL, he says "listeners loved it, man it was based on our personalities. He was an RL star from 1967 to 1979, then retired from radio and ended up selling cars (including, for a time, at a dealership in Roslyn).